Presenting New Work by Peggy Beerta at American Visions Art Gallery, Historic Folsom

An interview with passionate artist and Native American historian --
Peggy Beerta


When did you know you wanted to paint, to really create?

As a child I was always drawing and painting, at school my favorite lessons were art and crafting. My parents were very supportive and wanted me to go to a school of arts. I didn't go, I wanted to earn money so I started working a regular job. After many many years, I realized there wasn't a single job I could see myself doing for the rest of my life. At the age of 48 I decided to take the jump, and to give myself three years to try to make a living of creating art because that is where my heart really is and what I really want to do. It is my passion to the fullest.


You were born in The Netherlands, did the area, the scenery, landscape where you grew up in, have an impact on how you paint today?

Not how I paint today. I grew up in big cities, born in Rotterdam. When I was 34, I decided to move to the countryside. That at the time inspired me to paint flowers, mostly tulips and poppy's. At the moment I mostly paint Native American portraits, that has no link at all with where or how I grew up. Every now and then I paint something else, though not often anymore. However, California does inspire me with all her beautiful nature and scenery.


What brought you to Northern California?

I can be brief about that: the love of my life, my husband.


Were you an artist in The Netherlands?

Yes, but I also worked full-time for 30 years. The last two or three years before I decided to become a full-time artist, I worked part-time so that I could spend more time creating. Pretty soon after I started painting, I had a few shows in The Netherlands with my paintings and sculptures. Also I was published in newspapers several times. I started sculpting in 1992. My first sculpture was a 13 feet high totempole believe it or not. After that, I took sculpting classes. (Sometimes I do things backwards, smile.) It was supposed to be a four year course, but after the second year my teacher told me that there was nothing more he could teach me and advised me to either complete the course for fun or go on by myself. I did the last thing. However, I don't sculpt that much anymore. As for painting, I am completely self taught, never had any schooling for that. I started painting in 1997 and had my first show at a gallery in The Netherlands in 1998. Most of the work showed there was sold. After that I took it easy for a while, had to recharge my batteries lol. In 2005 I quit my job to become a full time artist and really started painting seriously.


What is it about your paintings that you want people to feel or see?

I hope they can feel and see l what the paintings are trying to tell them. My portraits carry a message from the Spirit. Some of my other paintings bring a smile on people's faces, either because of the vibrant colors or because of the subject.

What is the strongest influence for your paintings?

My spiritual world, my feelings and the beauty of creation. My husband is Mescalero Apache and he has a beautiful spirit. It is his spirit that completely changed me, my world, and opened my heart and spirit for his religion and traditions. His love moves something deep within me and that is what guides me and what I try to pass on to the people who look at my work.
Every painter bestowes small gifts everytime someone looks at their paintings. What gifts of feelings are you trying to give them?

I'm trying to give them some joy and happiness with the bright colors of my flowers. With my Native American portraits I hope that they can feel the spiritual power that comes from them. I have had people stand before my paintings who spontaneously started to cry. Others just stood there completely motionless for a long time, just staring, and I could see all kinds of emotions going through them. I was told my Native American portraits have healing power. I am healing myself when I paint them, and through my finished painting, I am healing the ones who stand before them. So with those I try to give healing, inner peace and love.
If you didn't paint, what profession would you like to be in?

I've been in public relations for over 21 years, I really liked that. But I couldn't do that for the rest of my life. There was a time where I wanted to be a singer or an actress. But as you grow older (and sometimes wiser), you change, so if I would have to pick something else right now, I would say I would like to be a Healer of the Spirit.
The poppy's that you painted stop people in their tracks. Where were you in your mind when you created them?

It was Spring, I was sitting on the deck of my rental cabin in the forest at that time. I put up a big umbrella to keep the sun off my canvas and I ended up with the poppy's. When I am really into painting, I don't know where I am in my mind, I travel. These poppy's are poppy's that grow in my old country, the skies sometimes are really that blue. It's a happy painting so I know I was in a happy place.

Your Native Americans are both beautiful and provocative, but it is clear that they are much more than just a painting. Who are they and what experience do they come from?

Sometimes I paint people who really excist or have passed on because something in their Spirit touches me. Other times it remains a mystery. Also for me. You see, I have an empty canvas. I create a background and after that I paint a portrait. I never make a sketch, never a try-out. I directly paint from my heart and spirit. I don't think when I paint. The only time I think is when I stand there at the beginning of a new portrait, putting paint on the canvas and see how horrible it looks what I am doing. Then I tell 'myself ' what are you thinking woman? You can't paint!' I try to ignore that voice and just go on. I mostly start with a rough outline of the face and then I put the eyes in. As soon as I do that, I can see the Spirit of The One I am painting, whoever that may be. And then I let my feelings flow and Creator takes my hand and creates. I'm really just a tool. I'm glad Creator does the work because I can't paint. Serious.

How do you want to be remembered?

I would be perfectly happy when people get a smile on their face and feel love in their heart when they think of me. That would be the most beautiful remembrance.

Interview with Charles White

An Interview with Beloved Northern California Artist, Charles White


When did you know you wanted to paint – to create art?
I started drawing with pencil and Ink when I was 8 and started painting in oils at 12. So I guess you could say that from early childhood I wanted to create art. It wasn’t until I was 43, however, that I started to make a “career” in the art world.

You are known for your art teaching skills – what is it that you do to bring out the best in your students?

Well, first it’s important that the student has an understanding of the principles of good composition and the importance of color theory and values. I go over these principles constantly as I try to get the student to see from an artist’s perspective, that is to look more closely and study the relationships of shapes and balance, of complementary colors, of proper values. Then I try to give a lot of encouragement to students and be very positive and enthusiastic.


You were born in Canada – did the scenery you grew up with have an impact on how you paint your landscapes today?

I think so. Yes, I always loved the rocky mountains of Canada and the autumn colors of my native Ontario. Those were the first things I painted along with a few snow scenes. I think artists are strongly influenced by the landscape that surrounds them – you paint what you know.


What advise would you give someone who longs to paint but isn’t sure if they have the talent?

Give it a try. Oils and acrylic paints are opaque mediums and consequently are very forgiving of mistakes. Simply paint over mistakes to make better lines or shapes. Values and hues can be changed quite easily unlike ore transparent mediums. You don’t have to have tons of talent to enjoy creating and having fun with lines, shapes and colors. And if you find you have are talented, you can have even more fun.

Does it make a difference if you are working with an older or a younger person?

Not really. My approach is basically the same although I will probably be more patient with the very young (10-15) and the very old (80+).
Do you think people’s experiences – their age, for example – brings something to the art they create?

Definitely. An older person will have traveled and experienced much more and his art will usually reflect that. A younger person is not as confident in their abilities but sometimes have better imaginations.

You teach art all over the world – what has drawn you to teach in Folsom over the last few years?

Well, Sutter Street is definitely charming, but it’s the warm and enthusiastic support of American Visions Gallery that has drawn me to Folsom. They have organized several workshops, including one in Tuscany, and worked hard to promote my art over the years. So I definitely have a soft spot in my heart for Folsom because of the very supportive people at American Visions Gallery.

Last question – Charles, how do you want to be remembered?

Wow, that’s an ominous question. I suppose I would like to be thought of as a good, decent guy whoa s a good husband and father and had a loving heart. If my art has inspiried people or given them enjoyment, then that’s a plus, but I don’t expect I’ll be judged as a great artist by any stretch of the imagination. I’ll attracted to the beauty that I see in the world around us, and I hope that I have helped others see that beauty and appreciate it. If I am remembered for that, it will be enough – I’m happy. I love what I’m doing, and I hope it shows.

Charles White will be at American Visions Art Gallery on Saturday, November 17, 2007
to show his latest collection of Plein Air paintings and talk about his last
workshop in the hills of Tuscany.

Join him for an

Art Reception and Discussion of his Recent Art Workshop in Tuscany
November 17, 2007
5:00 - 8:00 p.m.

RSVPs appreciated but not required.

Bob Pejman Coming May 17, 2008 to Historic Folsom

It was great seeing many of you at the Bob Pejman show. It went very well and he was pleased to see so many familiar faces and meet new friends. And even a surprise visitor that I've promised to not "out" (although several of you figured it out). Bob was very touched by your presence and your thoughtful comments.

Before the show, AV staff asked him about his life and his art. We thought it would be hard to nail him down, instead it was a great opportunity to get to know him. Here is what he said.


AN INTERVIEW WITH ARTIST BOB PEJMAN AT AMERICAN VISIONS ART GALLERY MAY 2007

When did you know you wanted to paint – to create art?

I started to paint ever since I was in first grade. Art was always something that I was strongly drawn towards. However, it was not until I was 28 that I realized I wanted to paint as a profession.


Does anyone else in your family paint?

Although most of my family members are artistic, I am the only one who paints. Both of my parents are classically trained musicians and my brother plays the guitar and drums.


Why are so many of paintings scenes from Italian locations?

For some reason I have always been drawn to Italian scenes. There is a sense of romance and history in Italy that I have found nowhere else. It is one of the most magical places in the world. I love the combination of the warm earth tones in its old architecture combined with the blue tones in the lakes and ocean. Italy can provide many life times of painting material for an artist.


What is it about your paintings that you think reaches out to everyone?

I paint locations where most people want to be. Few people would pass up an opportunity to go to Lake Como, Venice, or Capri. In fact many of my collectors have had great memories of places that I paint, and for the rest, the paintings inspire them to visit the locations of my paintings. I have actually had collectors who bought my paintings ask me where a certain location of one of the paintings is so that they can specifically visit that location on their next trip. I have also been told by couples who have bought my paintings that they spent their honeymoon or wedding anniversary in a location of one of my paintings. I find all of this to be very rewarding.



What do you most want people to like most in your paintings?

I would like them to appreciate that while my paintings are based on real settings, there is a great deal of artistic license that I use to give a near-perfect sense of balance and beauty to already beautiful scenes. I take the scenes much further than the way they exist. So, I get comments such as “I don’t remember Bellagio being this beautiful and perfect”. And my answer is that “It is not – I improved on an already heavenly place”.


Who was your strongest influence in painting?

The strongest influences in my paintings are Victorian era masters such Sir Alma Tedema and Fedrick Lord Leighton. I have also been influenced by the old Italian masters of the 17th-19th century.


Some say your paintings have some of the same sentimentality of Maxfield Parrish – crisp, clear and with a slight fantasy. Would you agree?

Maxfield Parrish is also another great artist who has influenced me. Some of my paintings such as “Sorrento Sunrise” have been strongly influenced by Maxfield Parrish. I have also been inspired by the sense of what I call “set design” that I see in Parrish’s paintings. A few noted art critics have described my paintings as having the feel of “theatre set designs”. I think the same can be said about quite a few of Maxfield Parish’s paintings.


They say a painter bestows small gifts each time someone looks at his painting. What gifts/feeling are you trying to evoke through your paintings?

The gift of making the viewer feel good. I would like to think that my paintings take the viewer to a different time and place where the every day worries disappear and replaced by peace and tranquility. Almost as though you can lose your self or escape into the paintings.


You show your art all over the world – what is it that has drawn you to come to Folsom over the last few years?

Some of my best collectors are in Folsom. I find the local residents to be very friendly and they appreciate and collect art. I also love the old downtown feel of Sutter Street. I find it very cozy and comfortable. It is one of the few places that I sell art that has not been commercialized. I hope that it will remain this way.


What advice would you give someone who longs to paint but isn’t sure if they have the talent?

I am going to be politically incorrect here and say that talent is at least 50% of the game and can not be “learned”. The rest of the equation is passion, choice of popular subject matter, great sense of color, and marketing. You need all to become successful as an artist.

But as long as you want to paint as a hobby, then talent alone will do. I think that the surest way to measure one’s talent as a novice is to see how quickly you progress in becoming a better artist once you start painting. If the progress is fast enough, then you have the talent. So, the only way to find out if you are talented or “gifted” is to try. Find a good teacher and give it your best shot.


We’ve heard you are a fine pianist. How do you find the time to play?

I wish I had more time to dedicate to playing the Piano. Once in a while when I get my hands on a Piano, I play for 5 to 10 minutes. But, I learned a long time ago that you can not spread yourself too thin and master too many different things. For now, I will focus most of my efforts on painting….and playing the piano will remain a distant and delightful hobby.


If you didn’t paint for a living, what other profession would you like to have?

This is an easy question to answer. I would love to be a composer and write soundtracks for movies. Actually, collecting motion picture sound tracks has been my hobby since I was seven years old.


Last question. Bob, how do you want to be remembered?

I would like for people to look at my paintings long after I am gone and admire the time and passion that I put into them. I would like them to say, “this artist didn’t take any short cuts, he painted passionately, with a lot of thought and care, and it shows”.
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Hi Everyone,
I'm back from the trip to Tuscany and promised to let many of you know what we saw and found.

I had my doubts because this was a very short trip with a long agenda of things to accomplish -- and still I wanted enough time with my family and my artist friends there whose work I love and admire. I had many goals, including going with June Carey to see her newly purchased home in the Chianti region of Tuscany. Some of the goals were realized and some were not. When you are there, you want time to stand still, but instead it speeds ahead like it were a train shooting through the countryside of Italy. You remind yourself every moment to soak it in and to hope you remember the details which make it what it is.

I am collecting my thoughts and will share some of the unique experiences we had in Tuscany. This is an experiment, so feel free to share your thoughts and comments. So many of you have asked me over the years to tell you what to see and to help you plan your trips to that area. I am hopeful that sharing some of these happenings with you will give you a private view -- a glimpse of what you may want to experience in the art, the people, the food and wine and, of course, the breathless views.
Giovanna